ホラーオリジナル・ジャンルで圧倒的支持を集める新感覚ホラー。フリーホラーゲーム『デスフォレスト 恐怖の森』の第5弾。ついに驚愕の映像のベールが剥がされる…。

ホラーオリジナル・ジャンルで圧倒的支持を集める新感覚ホラー。フリーホラーゲーム『デスフォレスト 恐怖の森』の第5弾。ついに驚愕の映像のベールが剥がされる…。

收录： 　　【第13次圣诞夜】女主角在她的有办当中是唯一的独生女。在某年为了圣诞节购物时，她突然接到一通陌生男子的来电，因着对方的指引而来到一座电梯之中，在那儿遭遇了一个男性幽灵，对方是十三年前死于车祸的哥哥。这场重逢使女主角恢复在车祸中丧失的记忆，于是她向哥哥的亡灵娓娓道来过往未能倾诉的心思…… 　　【缝隙的视线】为了摄制作业视频，电影学校的女老师带着学生来到外景地。传说当地曾经发生过悲惨往事，伸出手指的人将会遭遇灾厄。对此一无所知的女教师冷不防感受到怪异视线，便朝视线投来的地方伸出手指...... 　　【洋装】一对新婚夫妇不慎从洗衣店带回别人的洋装，妻子对它十分中意，忍不住诱惑将之窃为己有。没想到穿上这件洋装后，怪异现象接二连三的发生，两人慌慌张张想要将洋装脱除，不料从中现身的竟是个诡异莫名的女鬼……

收录： 　　【第13次圣诞夜】女主角在她的有办当中是唯一的独生女。在某年为了圣诞节购物时，她突然接到一通陌生男子的来电，因着对方的指引而来到一座电梯之中，在那儿遭遇了一个男性幽灵，对方是十三年前死于车祸的哥哥。这场重逢使女主角恢复在车祸中丧失的记忆，于是她向哥哥的亡灵娓娓道来过往未能倾诉的心思…… 　　【缝隙的视线】为了摄制作业视频，电影学校的女老师带着学生来到外景地。传说当地曾经发生过悲惨往事，伸出手指的人将会遭遇灾厄。对此一无所知的女教师冷不防感受到怪异视线，便朝视线投来的地方伸出手指...... 　　【洋装】一对新婚夫妇不慎从洗衣店带回别人的洋装，妻子对它十分中意，忍不住诱惑将之窃为己有。没想到穿上这件洋装后，怪异现象接二连三的发生，两人慌慌张张想要将洋装脱除，不料从中现身的竟是个诡异莫名的女鬼……

《瑪布隆的滋味》一劇，是講述一位阿美族知名主廚張芮Likat‧Cidal(楊晴飾)，在失去味覺、被男友劈腿拋棄後回到家鄉部落，該如何重拾自己對於原住民族身份的認同及自信心，更要好好找回被自己無情疏遠的閨蜜胡詠安Sanya‧‘Adingo (李宣榕飾)之間的友情。出生於花蓮馬太林部落的張芮，從小就愛待在很會煮美食的奶奶身旁問東問西，願望就是成為世界第一的大廚。張芮從小最好的玩伴就是胡詠安，兩人的族名恰好一位是光(Likat)、一位是影('adingo)，也因此讓她們倆成了如影隨形的閨蜜，但隨著張芮家庭離異後，搬到台北生活，就開始漸漸疏離了詠安。張芮在男友Eric(蔡侑勳飾)的餐廳擔任主廚，Eric從小含金湯匙出生，國外留學長大，政商關係也很好，但舌燦蓮花又愛拈花惹草。某天張芮失去味覺被Eric得知後，他就更加肆無忌憚的劈腿、偷吃，導致張芮只好傷心地放棄夢想、離開台北，回到部落尋找自我與詠安。

本部纪录片是导演迈克尔·艾普特从1964年开始拍摄的纪录片系列的第五部。迈克尔·艾普特在1964年为英国BBC电视台拍摄了记录片《7 Up》，采访来自英国不同阶层的十四个七岁的小孩子，他们有的来自孤儿院有的是上层社会的小孩。此后每隔七年，艾普特都会重新采访当年的这些孩子，倾听他们的梦想，畅谈他们的生活。这时他们都已经是35岁的中年人，成家立业。艾普特再次追踪他们的生活，记录他们的事业是否成功，爱情是否美满。七年，岁月的痕迹已悄然爬上每一个人的面庞。 　　再次时隔七年，命运之手是垂青于谁，还是跟我们所有人，开了场偌大的玩笑。

本部纪录片是导演迈克尔·艾普特从1964年开始拍摄的纪录片系列的第五部。迈克尔·艾普特在1964年为英国BBC电视台拍摄了记录片《7 Up》，采访来自英国不同阶层的十四个七岁的小孩子，他们有的来自孤儿院有的是上层社会的小孩。此后每隔七年，艾普特都会重新采访当年的这些孩子，倾听他们的梦想，畅谈他们的生活。这时他们都已经是35岁的中年人，成家立业。艾普特再次追踪他们的生活，记录他们的事业是否成功，爱情是否美满。七年，岁月的痕迹已悄然爬上每一个人的面庞。 　　再次时隔七年，命运之手是垂青于谁，还是跟我们所有人，开了场偌大的玩笑。

本片是西班牙经典幻想片之一。当年美国演员查理-卓别林（Charlie Chaplin）看过此片后称西班牙导演Edgar Neville是“他所遇见过的最会讲故事的人”(“the best storyteller he ever met”)，并对此片的评价甚高。《乡村之声》也对此片有过详尽的介绍。 　　La Torre de los Siete Jorobados is a 1944 Spanish mystery film directed by Edgar Neville. It is based on a novel by Emilio Carrere. In 19th century Madrid a young man plays roulette. A mysterious character helps him by pointing with his walking stick the next number where the ball is going to fall. The protagonist is the only one able to see him. The mysterious man turn out to be the ghost of an archaeologist and ask the young man to defend his daughter from a gang of hunchbacks. 　　Explore the labyrinthian depths and secret alleys of the Walter Reade's annual survey "Spanish Cinema Now" (December 8 through 26), and you'll find a mini retrospective devoted to Edgar Neville (1899–1967). The aristocratic Neville was a friend of Luis Bunuel and Charlie Chaplin (whom he met while in Hollywood directing Spanish-language talkies for MGM), with a reputation as a raconteur that's fully justified by the playful narratives of his best-known movies. Those showing include Life Hanging by a Thread (1945), a whimsical comedy of alternate destiny; two murder mysteries: the farcical Carnival Sunday (1945) and philosophical The Crime on Bordadores Street (1946); as well as a neorealist account of a demobilized cavalryman, The Last Horse (1950), and a color musical, Flamenco (1952). 　　The most fabulous of Neville's fantasies is The Tower of the Seven Hunchbacks (1944), a supernatural shaggy-dog story in which, egged on by a dignified one-eyed ghost, a handsome if clueless Madrid bon vivant stumbles into a lost subterranean world. This secret city, built by Jews escaping the Inquisition, is populated by a cabal of sinister, coin-counterfeiting kyphotics, as well as a number of cobwebbed mummies and a mad archaeologist. The movie was evidently based on a horror novel but Neville's attitude toward this fantastic material is beyond bemused. (Village Voice)

本片是西班牙经典幻想片之一。当年美国演员查理-卓别林（Charlie Chaplin）看过此片后称西班牙导演Edgar Neville是“他所遇见过的最会讲故事的人”(“the best storyteller he ever met”)，并对此片的评价甚高。《乡村之声》也对此片有过详尽的介绍。 　　La Torre de los Siete Jorobados is a 1944 Spanish mystery film directed by Edgar Neville. It is based on a novel by Emilio Carrere. In 19th century Madrid a young man plays roulette. A mysterious character helps him by pointing with his walking stick the next number where the ball is going to fall. The protagonist is the only one able to see him. The mysterious man turn out to be the ghost of an archaeologist and ask the young man to defend his daughter from a gang of hunchbacks. 　　Explore the labyrinthian depths and secret alleys of the Walter Reade's annual survey "Spanish Cinema Now" (December 8 through 26), and you'll find a mini retrospective devoted to Edgar Neville (1899–1967). The aristocratic Neville was a friend of Luis Bunuel and Charlie Chaplin (whom he met while in Hollywood directing Spanish-language talkies for MGM), with a reputation as a raconteur that's fully justified by the playful narratives of his best-known movies. Those showing include Life Hanging by a Thread (1945), a whimsical comedy of alternate destiny; two murder mysteries: the farcical Carnival Sunday (1945) and philosophical The Crime on Bordadores Street (1946); as well as a neorealist account of a demobilized cavalryman, The Last Horse (1950), and a color musical, Flamenco (1952). 　　The most fabulous of Neville's fantasies is The Tower of the Seven Hunchbacks (1944), a supernatural shaggy-dog story in which, egged on by a dignified one-eyed ghost, a handsome if clueless Madrid bon vivant stumbles into a lost subterranean world. This secret city, built by Jews escaping the Inquisition, is populated by a cabal of sinister, coin-counterfeiting kyphotics, as well as a number of cobwebbed mummies and a mad archaeologist. The movie was evidently based on a horror novel but Neville's attitude toward this fantastic material is beyond bemused. (Village Voice)

10 min